From 1958 to 1973
Squitieri is the right way with relative ease into an expression for an art of direct encounter with his native land.
The sad faces of women Basilicata, between the Mediterranean myth, antiquarianism of Greek origin, realistic kind of neo-classicism, is an explicit indication of a mysterious freedom to gather and worship in the example of the ancient secrets of the most popular.
A work of that period:
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| LUCANIA | | |
POWER follows: twenty-six paintings made in seven years, from 1972 to 1979, where each graphic symbol takes reason and life, and any given issue is personal and consistent. The design is crisp, clear as is the complaint. The author, admirably equipped by temperament instinctive, high-rich teaching and the formal and material culture, dominated the calls and the suggestions that come from the problematic nature of the issues and brings out a poignant words of Enlightenment discourse, which has the beauty of the mirror, composed and disturbing protest of a vagrant heart, which gives on to dreams and poetry. In no other artist, perhaps, is so loud alarm for the moral decline of Italy, destroyed by too much history.
One of 26 paintings of 'THE POWER:
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| SEX |
The period from 1979 to 1985/87, are marked from the cycle of PETRA
Since 1985, the paintings of the cycle preload, the Master tries his hand at fixing the visionary stroke cycle of life, marked by short-term and short-lived as the glory, money and hope. One way to become aware of the human condition and venture into unexplored topic of today's world. This is how MEMORY OF ULYSSES THE LAST FRAGMENT, THE HUMAN CONDITION, THE COUPLE AND FASHION , works that constitute the first major expression of our civilization defeated and humiliated, and there are two main questions: what will happen in the future? There will still be able to ask someone, painting, on the border between two age where the worst sins and noblest sentiments are curiously divided by time?
A work cycle de 'THE PRELOAD:
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| FASHION |
taken from the scene shows , in September 1989 and written by Italian Carlo Sesti.
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