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Ugo Moretti

"The long and rich existence by Italo Squitieri arise from Lucania so closely as to constitute a true spiritual heritage of a region, still unknown to many, the very heart of the South, but swells beauty, nourished by the ancient mysteries that always occur ritually Orphic intact in substance that has its roots to the limbo of myth. You can not, in my opinion, to separate the painting from its origin to Squires Lucan and following his tours of research, you could reconstruct the adventurous journey that the first completed part from the banks Lucan certainly bright and deep forests that gave the name to their land.

... after the war, the orgy of 'isms' became a carnival impractical and Squitieri literally fled from Rome, taking refuge in Cortina d'Ampezzo, in the natural valley crowned by mountains of incredible majesty, the eternal silence of nevi. Here, the painting becomes something sacred, strong, tough. The paintings of this period have the characteristics of a moral climate tended to search for the essential: compact volumes, the sharp colors, no concession to the nice, every possible care to meditation, the leading light of the cuts and base composition. Were rarely seen paintings of that ethical rigor and formal. A period that has been widely successful for Squitieri and expanded the horizons of his paintings, the proportions of the figures, has allowed a visual dimension of air, full of extreme openness.

... his pictures are everywhere in the world, in the most select collections in public galleries and private collections: anywhere in South America and Switzerland, the Far East and in Hollywood, Paris and Monaco, London, Rome, there is a live track of Lucania, a piece of her heart set on a canvas, a beautiful woman, a patch of emerald sea, a country that springs from the rocks, a procession of figures, a mobile , a flower, look like a sword of light, a hand hieratic, a drapery Vestal; short, there is the legendary ancestral spirit of Lucania, so loved by one of its best sons. "

written by Ugo Moretti

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traditional and modern influences

"His figurative paintings are among the most remarkable evidence of commitment to composition and dosage of readable colors. The filter color is always airy deviant immune from alchemy, and it fits very naturally to a 'transference' archaic and slightly wild-eyed ardor of the present.
With these qualities can be considered Italo Squitieri, cone Ropes, Sironi, Marussig and other actors of the twentieth century, 'traditional and modern' in the most positive of the pair. "


Renato Civello

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Sironi

"Squitieri decisive for the encounter with the painting of Sironi, an artist who will leave a deep mark on him: in fact, Squitieri has accepted that sense archaic monumental, heroic, Sironi art to bend to his inspiration optimistic to express that world Lucan, archaic, pastoral, a kind of monumentality elegiac-country, with brighter colors here and there, the achievement of deep pessimism Sironi in a sort of fairy tale symbolic South, with a remarkable job of painting technique.
Squitieri has traveled the world in the '30s, especially in the Middle East, "fascinated (as he tells me) charged by the stones of history, thousands of years of mystery."
know Picasso in Paris , Max Ernst, Chagall, became a friend of Hemingway who attended for many winters in Cortina d'Ampezzo and where many portraits.
Become a friend of the artist Colette Rosselli Indro Montanelli and her husband, who writes a nice profile on him ... "

testimony FRANCO Simongini




" ... knowledge with Mario Sironi impressed with his style of archaic character strength of constructive solid, both in the figure cuts and excavations landscape. But while Sironi, early in the crisis that was to haunt him until dark at the end of his life was building a space in the darkness of sorrow without hope; Squitieri tried the light, opening up large gaps in the massive land, in the eyes of the figures in the heavens in a storm and he was light and it is always a joyous full of certainty. "

testimony UGO MORETTI

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hundred years of Caesar's friend Marks

Squitieri power is not the judge, represents him, laughing above, of an acre rice.
What immediately strikes you is the concept of monumentality, a spectacular taste of the material, substantial and austere. Squitieri has studied engineering and it shows. His father, a builder, has left the blood's propensity for architecture.
"We may define a manufacturer, which you paint?"
"I would say, rather, a painter who builds"

'WHY' PAINT ONLY WOMEN Lucan? "
"Because I live in Cortina, but Lucan. Carlo Levi saw that land under the social angle, the angle I in the mythical. I often go there to be equipped with a 'myth', I seek the woman making the invoice, which states that the peasant proverbs. It 'a very proud people and closed, not for nothing that comes from' Lucus', selva. An example. At the market a woman selling eggs Neapolitan begs customers to comperino. The woman Lucan, however, he is unmoved by the basket under his arm. His dignity forbids talking "

" When did you start painting? "
" Seven years in power. Drew on the wall of the living room, a family friend. The mother immediately gave me a slap, then I bought the color "

"WHAT'S 'THE MORE TIME' BEAUTY OF THE DAY?"
"Night. I paint only at night. I need silence. The Muse does not like to be disturbed by phone"


"DO YOU FEEL ABOUT THE largest debtor?"
"Masaccio's one of the classics and the contemporaries Sironi. Sironi also, incidentally, he studied engineering. I have to add the Egyptian, Beckmann and Marmeke"


"YOU STEPS FOR A QUIET MAN . but if I could choose, who would it be? "
"I like to be Squires. I will continue to remain so for many years. I have seventy-two"


"WHAT 'S YOUR FIRST THOUGHT JUST CUTE?"
"I wake up in bed and rest at least an hour, daydreaming. I paint with brain


" KEEP IN MIND THAT THE ACTION OF OTHERS? "
"I do not believe those who claim to paint for themselves. Not that I paint to please others, mind you, but to be seen and judged by them. It 's my way of communicating with others. If I on the moon, not paint "


" a hundred years, which of our contemporaries will be remembered? "
"I would start with Picasso "


" AND ITALIAN? "
" Casorati and Sironi "


" All the other disappear? "
" There is absolutely no doubt "


"Squitieri UNDERSTAND?"
"Including Squitieri.

testimony of CAESAR MARCHI_ year 1979