Sayings For My Daughter On Her 2nd Birthday

Ugo Moretti

"The long and rich existence by Italo Squitieri arise from Lucania so closely as to constitute a true spiritual heritage of a region, still unknown to many, the very heart of the South, but swells beauty, nourished by the ancient mysteries that always occur ritually Orphic intact in substance that has its roots to the limbo of myth. You can not, in my opinion, to separate the painting from its origin to Squires Lucan and following his tours of research, you could reconstruct the adventurous journey that the first completed part from the banks Lucan certainly bright and deep forests that gave the name to their land.

... after the war, the orgy of 'isms' became a carnival impractical and Squitieri literally fled from Rome, taking refuge in Cortina d'Ampezzo, in the natural valley crowned by mountains of incredible majesty, the eternal silence of nevi. Here, the painting becomes something sacred, strong, tough. The paintings of this period have the characteristics of a moral climate tended to search for the essential: compact volumes, the sharp colors, no concession to the nice, every possible care to meditation, the leading light of the cuts and base composition. Were rarely seen paintings of that ethical rigor and formal. A period that has been widely successful for Squitieri and expanded the horizons of his paintings, the proportions of the figures, has allowed a visual dimension of air, full of extreme openness.

... his pictures are everywhere in the world, in the most select collections in public galleries and private collections: anywhere in South America and Switzerland, the Far East and in Hollywood, Paris and Monaco, London, Rome, there is a live track of Lucania, a piece of her heart set on a canvas, a beautiful woman, a patch of emerald sea, a country that springs from the rocks, a procession of figures, a mobile , a flower, look like a sword of light, a hand hieratic, a drapery Vestal; short, there is the legendary ancestral spirit of Lucania, so loved by one of its best sons. "

written by Ugo Moretti

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traditional and modern influences

"His figurative paintings are among the most remarkable evidence of commitment to composition and dosage of readable colors. The filter color is always airy deviant immune from alchemy, and it fits very naturally to a 'transference' archaic and slightly wild-eyed ardor of the present.
With these qualities can be considered Italo Squitieri, cone Ropes, Sironi, Marussig and other actors of the twentieth century, 'traditional and modern' in the most positive of the pair. "


Renato Civello

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Sironi

"Squitieri decisive for the encounter with the painting of Sironi, an artist who will leave a deep mark on him: in fact, Squitieri has accepted that sense archaic monumental, heroic, Sironi art to bend to his inspiration optimistic to express that world Lucan, archaic, pastoral, a kind of monumentality elegiac-country, with brighter colors here and there, the achievement of deep pessimism Sironi in a sort of fairy tale symbolic South, with a remarkable job of painting technique.
Squitieri has traveled the world in the '30s, especially in the Middle East, "fascinated (as he tells me) charged by the stones of history, thousands of years of mystery."
know Picasso in Paris , Max Ernst, Chagall, became a friend of Hemingway who attended for many winters in Cortina d'Ampezzo and where many portraits.
Become a friend of the artist Colette Rosselli Indro Montanelli and her husband, who writes a nice profile on him ... "

testimony FRANCO Simongini




" ... knowledge with Mario Sironi impressed with his style of archaic character strength of constructive solid, both in the figure cuts and excavations landscape. But while Sironi, early in the crisis that was to haunt him until dark at the end of his life was building a space in the darkness of sorrow without hope; Squitieri tried the light, opening up large gaps in the massive land, in the eyes of the figures in the heavens in a storm and he was light and it is always a joyous full of certainty. "

testimony UGO MORETTI

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hundred years of Caesar's friend Marks

Squitieri power is not the judge, represents him, laughing above, of an acre rice.
What immediately strikes you is the concept of monumentality, a spectacular taste of the material, substantial and austere. Squitieri has studied engineering and it shows. His father, a builder, has left the blood's propensity for architecture.
"We may define a manufacturer, which you paint?"
"I would say, rather, a painter who builds"

'WHY' PAINT ONLY WOMEN Lucan? "
"Because I live in Cortina, but Lucan. Carlo Levi saw that land under the social angle, the angle I in the mythical. I often go there to be equipped with a 'myth', I seek the woman making the invoice, which states that the peasant proverbs. It 'a very proud people and closed, not for nothing that comes from' Lucus', selva. An example. At the market a woman selling eggs Neapolitan begs customers to comperino. The woman Lucan, however, he is unmoved by the basket under his arm. His dignity forbids talking "

" When did you start painting? "
" Seven years in power. Drew on the wall of the living room, a family friend. The mother immediately gave me a slap, then I bought the color "

"WHAT'S 'THE MORE TIME' BEAUTY OF THE DAY?"
"Night. I paint only at night. I need silence. The Muse does not like to be disturbed by phone"


"DO YOU FEEL ABOUT THE largest debtor?"
"Masaccio's one of the classics and the contemporaries Sironi. Sironi also, incidentally, he studied engineering. I have to add the Egyptian, Beckmann and Marmeke"


"YOU STEPS FOR A QUIET MAN . but if I could choose, who would it be? "
"I like to be Squires. I will continue to remain so for many years. I have seventy-two"


"WHAT 'S YOUR FIRST THOUGHT JUST CUTE?"
"I wake up in bed and rest at least an hour, daydreaming. I paint with brain


" KEEP IN MIND THAT THE ACTION OF OTHERS? "
"I do not believe those who claim to paint for themselves. Not that I paint to please others, mind you, but to be seen and judged by them. It 's my way of communicating with others. If I on the moon, not paint "


" a hundred years, which of our contemporaries will be remembered? "
"I would start with Picasso "


" AND ITALIAN? "
" Casorati and Sironi "


" All the other disappear? "
" There is absolutely no doubt "


"Squitieri UNDERSTAND?"
"Including Squitieri.

testimony of CAESAR MARCHI_ year 1979

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Indro Montanelli

Italo Squitieri was very surprised and a bit 'incredulous when I told him that the day when I gave it to reincarnate with the right to choose not to ask God to make me Leonardo or Einstein, but Squitieri.
yet it is so, is the man most envied in the world. He looks around and happy in his blue eyes, baby, I see the best reflection of what surrounds us, and only the best.
He plunges into the sea, and enjoy. Frying in the sun, and enjoy. Where there is a cloud, says: "Just as well, so I did not burn."
From his adventures on the slopes of Cortina always comes back with the news of great discoveries: a valley, a small church, an altar, a carved chest, a shelter abandoned, a den of marmots, a tree. Once he broke a leg skiing, said cheerfully: "Finally I have time to work."
actually always works, with assiduous effort, and what comes out of his brushes do not like him at all: to take over are always the memories of her deep South, with its buildings and hard landscape, its violent counterpoint of light, casefortino struck on his grief and desperation of the men.
load of sorrow that every southern wears, Squitieri the vents there, we emptied the last drop everything. Then, free throws open the window and see the world through the eyes of Adam before the fall.
's all senses.
a painter does not paint only, but thinks, speaks and lives, translating everything into shape and heat.
Mai un'acredine to others, never a sign of discontent or frustration. He believes in the goodness of men because he has to sell her. Eat and drink light snow in winter, the sea in summer. A beautiful nature, because nature only feeds on.
I miss the competence to judge him as an artist. But the poet is for sure.


testimony Indro Montanelli (Fucecchio, April 22, 1909 - Milan, July 22, 2001)

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Dream, A to B


then eventually I got on the train and

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answer to Andrea: the gabula this is it. A marriage is considered unbreakable, even if one spouse or step completely the meaning coming to betray. Never mind that a trade deals a fatal blow to a relationship. Indeed, in addition, that would also be required to lose betrayed! (This is fantastic). Paradoxically
included a marriage with treason is not in the series ESPECIALLY void if at the time of marriage the two parties were really convinced of what they were doing, and it happened only after the bang (the moment of weakness, existential crisis after the wedding, etc. ...). Two who were married in good faith, believing nell'indissolubilità their wedding in Sacramento, the solemnity of the act, difficult to see the canceled because of the betrayal. When only one of them had told the neighbor, before the wedding: "I'm getting married but does not last if you divorced, getting married and see how many years the relationship holds," is more likely to get the fateful declaration of nullity. So who is the most screwed of all? Just believers and practitioners.
If the betrayal took place shortly before the wedding (a parallel story before marriage, or even a good night's bachelor party), this highlights the lack of consideration of the Sacramento and the lack of seriousness of the contractor, and may result in revocation .
So if you plan to betray you, please, make sure that it is the first Yes!.

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The first beautiful piece that I had to put my heart was the end of my first marriage.
For a variety of reasons which do not want to bore you, I have undertaken the cause for the annulment in the Church, because that still is ongoing.
processes at the ecclesiastical courts are on the rise lately, I do not know if it's because people are (re) discovering this new opportunity, or if there is more information, or if it's a fad, or whether the Church has made it more drinkable and affordable for all a process that was once the most expensive ... I do not know, but one thing is certain. There is still a lot of "ignorance" on the subject, in the sense that the most ignorant and the practice of accessing both the process and, above all, the logic behind a process at the TE (Ecclesiastical Court).
I state that I am not a lawyer, and so it is possible that I do not use all of the terms of legally correct, but I'd like to give some tips for those who (ahilui / ahilei) interested in the topic.
The first concept to clarify is that the marriage is not invalid as generally believed, but is invalid.
is not just a play on words: if the marriage is annulled, it would mean that someone can arbitrarily decide to write something that was there.
Instead, the prerequisite of access to proceedings in the TE is that it presupposes that the marriage in question is already NULL. That is, at the time of the celebration there were such facts and reasons why, even though the couple have said "Yes" in front of the altar, the sacrament could not be fulfilled.
irrelevant to the declaration of nullity of marriage the years, the presence of children and more. If the marriage is void, it is irrespective of the boundary conditions and what happens after the "Yes".
So, in essence, the question: "I have been betrayed, to request cancellation?" Can not be answered on the spot yes or no. You have to see what's ahead of treason. The betrayal itself (if it happened after the wedding) is not due to VOID ', as it may be something very painful for those who suffer.
I understand that entering this type of logic is not quite immediate and that the causes of the nullity of a marriage outside the common sense that seems logical, however, a divorce.
need to go immediately with a view to think that a divorce is required for a number of well known reasons, a cause of invalidity for any other reason. I enclose a classic
first, the link to Wikipedia

http://it.wikipedia.org/wiki/Matrimonio_canonico

aware however that it is a bit 'technical.
Council does all the book: "It 's my marriage valid?", Author Francis Bersini, publisher Leumann (Torino).
is a discussion for everyone where they are examined, with examples realistic, some thirty possible cases of nullity. Some of them seem anachronistic and unrealistic (such as, "but today such a thing does not happen again!"). Believe me, in the case of weddings, we say, problematic, the reality far exceeds the imagination.
One last thing, for now: remember that if there is a cause that makes your marriage invalid, it must be demonstrated! With an expertise, with a witness, a medical examination .... In short, not enough that you go to court to affirm the true (or false). Someone else will do it for you!

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Biography and artistic personality

pursuing his studies in Pavia, and here is his encounter with the painting. The interests are youth Impressionism (Degas) in a first step and, subsequently, for the future, but the way of the "Twentieth Century" is intended to give the impression crucial to his painting.
In the following years, a series of successful exhibitions in Italy and abroad in aroused lively interest in collecting and criticism:
1929 - First Show at the Gallery "The Permanent" Milano_ of a prize for young people.
1929 - Show Auditors of Naples.
1930 - Solo Exhibition. Palace of the beam. Power.
1930 - Solo Exhibition in Gallery The Four Rivers, Rome.


In 1931 part of a long journey in Asia Minor, where he painted landscapes and figures inspired environments. Tiene solo exhibitions in Beirut, Damascus, Tripoli in Syria, Aleppo, Cairo, Alexandria, Rhodes and Jerusalem.
Back in Italy, in 1936, his studio in the system via Margutta known in Rome, where his refusal to congregations becomes more radical, explicit: its independence in this painting, as in life, the doors open Biennale, and Quadrennial, galleries qualified, both Italian and foreign. He exhibited in London, Berlin, Dusseldorf, Monaco, Frankfurt, Geneva and Zurich.
Paris meets Cocteau, Picasso, Max Ernst, Braque, and Severini.
In 1940, enlisted as an officer artillery.
After the war he returned to Rome. The orgy of "isms" became a carnival Squitieri impractical and decides to flee from the capital, looking for a shelter to collect the experiences of many years and far away places explored: the location in Cortina d'Ampezzo.
Here his painting becomes something sacred, strong, severe: he painted canvases that sing the beauty of "tabià. The palette is restricted to only ace brown tormented by the fury of storms, the whitewashed stone walls, the rusty gray slabs of dolomite, the deep blacks of the interior, to grigiobluastri of dark skies, the isolated points of red and of some yellow flower that save drama. Never has a blue sky: everything would fall into a postcard!
sometimes painted mountains bare and silent.
The compositions of archaic character to which he devoted himself Squitieri since 1956, fed by the myths of his Lucania, significantly affected by the experiences of that journey in Asia Minor, where he was able to study in depth the Assyrian and Egyptian art .
Over time ranging from 1972 to 1979, with great dedication, he painted The power, his major work: a series of 26 canvases as many chapters of a single theme.
The Show de 'THE POWER opened at Studio 23 in Cortina in 1979, only to be welcomed in 1980 at the Exhibition held in Antologica Doges of prestigious Villa Contarini, the Drent. There followed an exhibition at Palazzo Barberini in Rome in 1982 and again in Cangrande Gallery in 1984.
the same period, he also had occasion to make long trips abroad and exhibitions that have always been, Squitieri, great food for his soul, not only as an artist.

Italo Squires died in 1994 at the dawn of December 28, in his study of Cortina, Villa La Furlana, including its colors and brushes in front of her again creation.

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The horse and millenovecentodiciassette millenovecentodiciotto

He's only 10 years when Aurelio's brother left for the front ...

... these are her memories:

SIGNS OF WAR:

The long lines of Austrian prisoners faces destroyed by hardship.

The night I went with my father in the hall of the Prefecture to read the press from the front.

The anguish that you see on the faces of all the route of Kobarid.

Women dressed in black, stuffed with shoes, fled their homes destroyed by war, wandering in the small town with dazed eyes and mouths with a speech that told incomprehensible despair.

The beautiful face of a girl ended up in the hands of a Friulian beef dodger.

The tragic columns of trucks carrying armed soldiers and sacks of potatoes ...

sore mouth and the tears of my mother's thinking Aurelio still at the front.

My clothes made of gray cloth and puttees that turned me around the legs to replace socks unavailable.

The long, tiring queues at the shops to bring home a pound of pasta or flour.

The rare letters Aurelius, with the stamp of Valdobiadene Pederobba, as well as the red of the complaint.

The dark face of my father because of the difficulties in the work.

The dismay at the sudden deaths of relatives.

Long days of fear and hope.

And finally:

The crackling of a thousand, ten thousand flags for the win.

I stuck carnations in gun barrels of soldiers marching.

The loss of the officers returned to their homes, still in uniform, turned from a cafe to another without knowing what to do.

The smell of barracks together with that I heard a hairdresser in the currency of Aurelius, the day he returned.

All memories alive, imbued with pathetic nostalgia, and the millenovecentodiciassette millenovecentodiciotto.

- Taken from THE HORSE METAPONTO (autobiography published posthumously in 1998).

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Metaponto

... adapted from the autobiography (published posthumously in 1998)

I saw him for the first time at sunset.

Only by little shafts of light split the black clouds that had fled to the east. The vast plain was alive all of emerald green, the grass was still dripping with glittering beads for the storm just passed.

He was there: with the tendons of the hock tense, ready to shoot, his neck thrust forward, the tousled head and tail horizontal buttons nostrils, eyes fixed on the horizon, where it stood out, clearly violates The colonnade of Metaponto.

His dark coat shone in the rain.

For a moment he turned his head toward me, and came back immediately in previous installation. I did not have time to do five steps toward the horse, with a nitrite, a surge, like a lightning bolt went off and disappeared.

In the village I asked who it was that beautiful horse and his owner, but I had only vague answers and perhaps ambiguous. Finally, a farmer told me that the horse had no owner and that he had repeatedly viewed from the temple and lived in the wild and no one could approach it, but added that brought good luck to those who could see ...

... In the days spent in the district that mysterious, driven by dark desires, I went twice in the plain of temples, but had no luck.

But the third day I saw him: he was far away and was moving slowly poking its nose with fresh grass.

suddenly ran zig-zag in the grass and as they headed toward the point where I was, as if seized by frenzy, shaking his tousled head of Medusa, broke the run with spikes.

I was close but I stayed for so long to follow him in his antics, feeling a strange stirring inside me.

Suddenly I wondered what it was that my trembling soul, that precipitate heart beat, anxiety that I had everything.

such as lightning, I realized that I wanted very strongly be that horse:

My life as her!

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Heart baby layette

Dear friends,
you go in a hurry and with the summer heat do things becomes even more difficult ... Let's say I spend less time to blog, but I never stop creating.
Lately I have been involved in creating a mini layette for my first grandchild (and effort!) To be born late July to early August.
I made my first famous little heart with your child's name to be put to a wheelchair, then the carrier bag, a nice SHEET combined with pillow and finally a sweet cover ...
I hope you like them, even want to know your opinions: first to the mother liked it so much!!

A kiss and see you soon and thanks for your visit!

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birth

This little heart I made for the child of a dear friend, born in late June.

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Patched Heart, Heart or patched. In my particular case it is not only a metaphor. What do you mean by patched heart: for those of us in life have not been heartbroken? But then all the pieces of the heart have been picked up and sewn up, right?
And despite the setbacks and blows, we're still here, tough and combative, and every day we discover that, at bottom, with a heart not only patched bell, but bell also good!
So my baby blog was not created for those who want to cry on, but for those who are proud to have survived his pains, he decided to make his own history and a wealth to turn the page.