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Biography and artistic personality

pursuing his studies in Pavia, and here is his encounter with the painting. The interests are youth Impressionism (Degas) in a first step and, subsequently, for the future, but the way of the "Twentieth Century" is intended to give the impression crucial to his painting.
In the following years, a series of successful exhibitions in Italy and abroad in aroused lively interest in collecting and criticism:
1929 - First Show at the Gallery "The Permanent" Milano_ of a prize for young people.
1929 - Show Auditors of Naples.
1930 - Solo Exhibition. Palace of the beam. Power.
1930 - Solo Exhibition in Gallery The Four Rivers, Rome.


In 1931 part of a long journey in Asia Minor, where he painted landscapes and figures inspired environments. Tiene solo exhibitions in Beirut, Damascus, Tripoli in Syria, Aleppo, Cairo, Alexandria, Rhodes and Jerusalem.
Back in Italy, in 1936, his studio in the system via Margutta known in Rome, where his refusal to congregations becomes more radical, explicit: its independence in this painting, as in life, the doors open Biennale, and Quadrennial, galleries qualified, both Italian and foreign. He exhibited in London, Berlin, Dusseldorf, Monaco, Frankfurt, Geneva and Zurich.
Paris meets Cocteau, Picasso, Max Ernst, Braque, and Severini.
In 1940, enlisted as an officer artillery.
After the war he returned to Rome. The orgy of "isms" became a carnival Squitieri impractical and decides to flee from the capital, looking for a shelter to collect the experiences of many years and far away places explored: the location in Cortina d'Ampezzo.
Here his painting becomes something sacred, strong, severe: he painted canvases that sing the beauty of "tabià. The palette is restricted to only ace brown tormented by the fury of storms, the whitewashed stone walls, the rusty gray slabs of dolomite, the deep blacks of the interior, to grigiobluastri of dark skies, the isolated points of red and of some yellow flower that save drama. Never has a blue sky: everything would fall into a postcard!
sometimes painted mountains bare and silent.
The compositions of archaic character to which he devoted himself Squitieri since 1956, fed by the myths of his Lucania, significantly affected by the experiences of that journey in Asia Minor, where he was able to study in depth the Assyrian and Egyptian art .
Over time ranging from 1972 to 1979, with great dedication, he painted The power, his major work: a series of 26 canvases as many chapters of a single theme.
The Show de 'THE POWER opened at Studio 23 in Cortina in 1979, only to be welcomed in 1980 at the Exhibition held in Antologica Doges of prestigious Villa Contarini, the Drent. There followed an exhibition at Palazzo Barberini in Rome in 1982 and again in Cangrande Gallery in 1984.
the same period, he also had occasion to make long trips abroad and exhibitions that have always been, Squitieri, great food for his soul, not only as an artist.

Italo Squires died in 1994 at the dawn of December 28, in his study of Cortina, Villa La Furlana, including its colors and brushes in front of her again creation.